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Neville Barbour
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Neville Barbour
ART
EXHIBITIONS
ABOUT
CONTACT
FAQs
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ART
EXHIBITIONS
ABOUT
CONTACT
FAQs
"DAHOMEY IN THE CAFE"
(charcoal on paper, 30” x 30”); SOLD; In Collection of the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora

"DAHOMEY IN THE CAFE" (charcoal on paper, 30” x 30”); SOLD; In Collection of the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora

"THOUGHTS FOR IDIA" (charcoal on paper, 18” x 24”); SOLD; In Collection of Elizabeth Kaspern, exhibited at the Museum of Science and Industry Chicago

"THOUGHTS FOR IDIA" (charcoal on paper, 18” x 24”); SOLD; In Collection of Elizabeth Kaspern, exhibited at the Museum of Science and Industry Chicago

"FISHERMAN OF SOULS" (charcoal and graphite, 25" x 35.75"); exhibited at African American Museum Dallas, Museum of Science of Industry Chicago, and Whatcom Museum Bellingham

"FISHERMAN OF SOULS" (charcoal and graphite, 25" x 35.75"); exhibited at African American Museum Dallas, Museum of Science of Industry Chicago, and Whatcom Museum Bellingham

"JANUS"
(charcoal, 18” x 24”)

"JANUS" (charcoal, 18” x 24”)

"LORD OF THE 'FLYS'" (charcoal, 23" x 34"), exhibited at Museum of Science and Industry Chicago

"LORD OF THE 'FLYS'" (charcoal, 23" x 34"), exhibited at Museum of Science and Industry Chicago

"YOU REMIND ME/JUST ANOTHER DAY"  (charcoal and graphite, 28" x 38"), exhibited at the Museum of Science and Industry Chicago

"YOU REMIND ME/JUST ANOTHER DAY" (charcoal and graphite, 28" x 38"), exhibited at the Museum of Science and Industry Chicago

"ALL IN ME" (charcoal and graphite, 10.5"x16"); SOLD, In Private Collection

"ALL IN ME" (charcoal and graphite, 10.5"x16"); SOLD, In Private Collection

"MOONLIGHT" (charcoal, 16" x 26")

"MOONLIGHT" (charcoal, 16" x 26")

ST GEORGE THE DRAGON (charcoal, graphite, red card stock, 38" x 28")

ST GEORGE THE DRAGON (charcoal, graphite, red card stock, 38" x 28")

GROWTH FOR MARTYRS (charcoal and graphite, 15 3/4" x 28 5/16")

GROWTH FOR MARTYRS (charcoal and graphite, 15 3/4" x 28 5/16")

"SALT" (charcoal and graphite, 28" x 38"), SOLD, In collection of Dr. Mel Michelle Lewis

"SALT" (charcoal and graphite, 28" x 38"), SOLD, In collection of Dr. Mel Michelle Lewis

"MY GOD HAS HORNS TOO" (charcoal, 18" x 24") SOLD, In Private Collection

"MY GOD HAS HORNS TOO" (charcoal, 18" x 24") SOLD, In Private Collection

TRAP WEDNESDAY (charcoal, gold leaf 30" x 30")

TRAP WEDNESDAY (charcoal, gold leaf 30" x 30")

MONDAY (charcoal and graphite, 21" x 18")

MONDAY (charcoal and graphite, 21" x 18")

Now You See Me (charcoal and graphite, 33 13/16" x 29 3/4"), SOLD, In Collection of Christine Isabelle Oaklander, Ph.D., exhibited at the Museum of Science and Industry Chicago

Now You See Me (charcoal and graphite, 33 13/16" x 29 3/4"), SOLD, In Collection of Christine Isabelle Oaklander, Ph.D., exhibited at the Museum of Science and Industry Chicago

"SLEEPING PRINCE" (9 9/16" x 8 5/8"; charcoal, graphite, raised acrylic, synthetic crystal and pearl, SOLD, In Private Collection)

"SLEEPING PRINCE" (9 9/16" x 8 5/8"; charcoal, graphite, raised acrylic, synthetic crystal and pearl, SOLD, In Private Collection)

PEARLS BEFORE (charcoal and graphite, 16 1/2" x 22 15/16") SOLD, In Collection of S. Omell Shanks

PEARLS BEFORE (charcoal and graphite, 16 1/2" x 22 15/16") SOLD, In Collection of S. Omell Shanks

"SELCOUTH" (21.375" x 22.3125", charcoal, graphite, blue stone, synthetic crystal and pearl)

"SELCOUTH" (21.375" x 22.3125", charcoal, graphite, blue stone, synthetic crystal and pearl)

STEPPING IN THE SAME PLACE (charcoal and graphite, 28 1/4" x 38 5/8") SOLD, In Collection of  Thomas Mills and Paul Scott

STEPPING IN THE SAME PLACE (charcoal and graphite, 28 1/4" x 38 5/8") SOLD, In Collection of Thomas Mills and Paul Scott

"MAMI POTOMAC"
(charcoal and graphite on paper, 28.25” x 38.625”)

"MAMI POTOMAC" (charcoal and graphite on paper, 28.25” x 38.625”)

ShanGOGO (charcoal, graphite, 28"x 29")

ShanGOGO (charcoal, graphite, 28"x 29")

"LET US IN", (charcoal and graphite, "26 13/16" x 18 3/8") SOLD, In Private Collection

"LET US IN", (charcoal and graphite, "26 13/16" x 18 3/8") SOLD, In Private Collection

"LEAVING" (21"x13"x24" diptych in cased in a suitcase. Top Half: charcoal, graphite,
acrylic with floral wallpaper. Bottom half: charcoal, graphite, floral wallpaper, torn pieces of a family photo with portions drawn in)    Featured in the Washington

"LEAVING" (21"x13"x24" diptych in cased in a suitcase. Top Half: charcoal, graphite, acrylic with floral wallpaper. Bottom half: charcoal, graphite, floral wallpaper, torn pieces of a family photo with portions drawn in) Featured in the Washington Post

"MANGO MAMMA", (32 5/16" x 29 7/16"; (charcoal, graphite, blue stone, colored glass, hand cut felt flowers, acrylic, colored paper) SOLD, In Private Collection

"MANGO MAMMA", (32 5/16" x 29 7/16"; (charcoal, graphite, blue stone, colored glass, hand cut felt flowers, acrylic, colored paper) SOLD, In Private Collection

"FALLING UP" (Charcoal, graphite, and acrylic drawing on DC Federal Housing (redlining map) Authority map, 39 11/16" x 29")

"FALLING UP" (Charcoal, graphite, and acrylic drawing on DC Federal Housing (redlining map) Authority map, 39 11/16" x 29")

"SEEDS..." (charcoal, graphite, and acrylic drawing on DC metro map, 31 5/16" x 30 1/8")

"SEEDS..." (charcoal, graphite, and acrylic drawing on DC metro map, 31 5/16" x 30 1/8")

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@nevillebarbour

Happy and humbled to have been selected as a recipient of the Touchstone Foundation for the Arts (TFA) Fellowship for 2022-2024. For the next two years, I will participating in group shows at the DC gallery along with a solo show at the end of the 2
The process of drawing this was new. But it was good to see this finished.

St. George the dragon (35"x29", charcoal, graphite, and red card stock)

#art
#mythologie
#realism
#vodun
I drew this during my 2-week residency (Jul 31-Aug 14) with Gallery One and Punch Projects in Ellensburg, WA. IG's aspect ratio forced me to crop it down. The wing actually extends higher and cuts the top at an angle.
 
Ellensburg was the comple
Humbled to have artwork featured in Realism Today.

https://www.realismtoday.com/realistic-graphite-drawings-black-white-indelible-gray/

@realism.today
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#art

#drawing

#realism

#RealismToday